For me this week of class was interesting but challenging. We had three articles to read for Thursday. The first article I read was by Olu Oguibe. This article was a very difficult read for me. In all honesty I don't like to have to read slowly. Nonetheless this article was a challenge and one that I can see as an agreeable challenge for this class. A questions that I posed after reading this article was, why did Ouattara not just start talking about what he wanted to and get what he wanted to say out? I can see that he is in a way stuck in a catch 22 but as a person I would feel like getting my opinion out, if it is something very important to me, is something I would do no matter if my name got slandered or what was reported was nothing like what I said. McEvilley sounded like an ignorant man and I gave him the title of “white power” (not a good title in my book). It seems as though he already knew what he wanted out of the interview and didn’t really care what Ouattara said. Even when Ouattara gave a small verbal protest, McEvilley didn’t seem to nudge, ponder as to why he was protesting, or even take a second for a further explanation. Why is it that so many people are still putting stereotypes onto people because of their origin, race, or gender?
One question a member in my discussion group posed that I found to be very interesting was something to the effect of, “what could I do, if anything, as a young white female with this new information to help effect change?” This question got me thinking about many things one being about how we are being taught about other cultures, their art, and livelihood in schools from k-12. I know that when we studied African art we looked at the so called “traditional” art of
There are a few things that I would consider doing in my classroom, and I am also open to suggestions from anyone. One thing I would do while teaching about cultural art would be to show past and present works along with visuals of the cultural environment. And if this culture is to lie in a much larger group of people, like
Overall the question that was posed raised more concern than just about my future teaching, including the power of the female voice in today’s society, and age and how that could effect who listens to you but I feel that in my future school and classroom is where I can make a difference as a young white female.
I enjoy the angle at which you wrote your blog this week, and I can sense that you put a lot of thought into yours and others posed questions.
ReplyDeleteI believe that the integration of multiple facets of information is more important than ever in today's educational environment (especially k-12). Meaning that when discussing a subject, be it of African art or any other, a teacher needs to understand how to most effectively and accurately represent (or re-present) that information. For example, in our class we are not just examining particular pieces of art; we learn about the history, the culture, and societal issues necessary to better understand the artwork itself. See my point? It is in the melding of many sources that creates a cohesive lesson and ultimately an individual's understanding of that lesson.
Thanks, Katie and Rebekah, for your respective thoughtfulness. With younger students too, stories--personal, or bringing in visiting artists, can help students "see" and understand that different people have different perspectives that are valid and celebrated. Providing stories that are alternative viewpoints from the dominant culture's to a common theme/idea is important--ie: all humans are born--how is this celebrated across cultures? All humans die--how is this marked across cultures? And so on...
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